Monday, September 29, 2008

Music with Jameson & Lone Star:Fired For Walking, Bright Men Of Learning, Novox @ Rudz 09/26/2008

I was out of town camping this weekend so I didn't have time to really write a proper review of the Fired For Walking CD release show at Rudyard's this last Friday. I will say that it was a pretty nice evening of music both at Rudz as well as at Caroline Collective (where the Wild Moccasins were rocking an Indie Houston event).

Hope y'all got out and enjoyed post-curfew Houston. We will return to our regularly scheduled show wrap-ups next week. Until then, here are some pictures from Friday's show.


DJ. Mr. Castillo -
Playin' whatever he damn well pleases.
Go Mr. C!!!!

Blogger powers unite!
The Houston Press' Dusti Rhodes (l)
& The Skyline Network's ADR (r)


Novox's Kyle victorious despite equipment issues.

Novox - educated men who rock!

Bright Men of Learning performing a death metal song!

Objection overruled!
You may continue to rock Mr. Preddy.


Ladies and Gentlemen,
Steely Dan's Walter Becker!
Errr, no wait that's BDM.

Fired For Walking vs the presidential debates.
I'll go with FFW.


FFW's Mike thinking
"Wait Zardoz was the Wizard of Oz? Man, that's so Lame!"

FFW's Drew in his most sober looking shot.

FFW's Joel rockin' the hair!

Links:
More Pictures on my Flickr (Link)

Fired For Walking (Link)
Bright Men Of Learning (Link)
Novox (Link)

This Just In - Ben Murphy Replaces Walter Becker


Long time Steely Dan fans were surprised Friday night at Rudyard's when longtime band member Walter Becker (l) was replaced by Ben Murphy (r). Donald Fagan told the crowd "Oh like you can tell the difference!" When reached for comment, Mr. Murphy would only shout "AM GOLD!!!!"

Sunday, September 28, 2008

Christmas comes early for The Music Crumudgeon

You know I've been anticipating this when my reaction to seeing this in my hands is to literally jump in the air and say "WOW!" then proceed to drop it in my I-tunes and put it on an infinite loop. On the quick here, there are lots of great instrumentals like the spacey where's-my-bong of The Next Day, the lovely sax harmonies of the unlisted final song, or the cheeky retro 80's dance floor of Pillow Fight but, for my money, it's the songs that are like manna from heaven. Suprean's gift for melody, phrasing, and lyrics are all here. Drain Me (easily the highlight for me) is HOA at her lyrical best - wrenching stop the world on its axis stuff - and, without giving anything away, the way the song ends is nothing short of brilliant. Sister Stories has a sweet chorus that is nothing short of intoxicating. The pretty and melancholy Sad Dancing sounds like the sad counter part to ABBA. Sit Right Here shares themes of longing and anxiety that were a hallmark of best of the songs from Lemming Baby. The biggest curve ball is a guest vocal by Joe Mathlete on Versus which sounds like Suprean and Mathlete doing some fucked-up version Berlin era Bowie. But yadda yadda yadda, I need to get back to editing these photos for tomorrow's Jameson & Lonestar but I just had to share my excitement. Woo!

Friday, September 26, 2008

The Music Crumudgeon's preview for the Week of September 26th 2008

This week's spotlight
Two-fer at 4828 Caroline

Friday, September 26 -
Indie Houston presents
Final Fridays Film Screening with
The Wild Moccasins,
short films by Michael Rodriguez,
plus live streaming of Obama vs. McCain
@ Caroline Collective
(4828 Caroline; Moccasins start at 7PM)

Hooray, music events are just starting to get back to normal and Indie Houston is kicking it of with this event. Errr, well, it more fell on their lap but good for them for gettin' all scrappy and helping out the Caroline Collective folks in making this happen. Kicking things off at 7pm sharp will be the Wild Moccasins who we'll be featuring in our November issue. If you have been under a cave for this past year, the Moccasins are pretty much ramping up to be the indie-pop band of this year with their clever catchy songs and fun shows. If you still have the post-Ike blues (and who doesn't) this should be just what you need. There will be a screening of shorts by local filmmaker Michael Rodriguiez which, in turn, will be followed by a live stream of the presidential debates which Indie Houston hopes to see accompanied by some audience participation. Cool, I haven't seen people shout at a screen since I saw Evil Dead II at a dollar theatre.

Saturday, September 27 -
Artstorm Opening
Jon Read and Glen Gips
Lo-Fi No-Brow Folk


featuring The Wiggins, Hearts of Animals, & Benjamin Wesley
@ ArtStorm - inside Caroline Collective
(4828 Caroline; 7-10PM)
This show bums me out because I'm out of town on Saturday and it's going to be great. Artstorm is bringing you some great art by Jon Read and Glen Gips (that's John Read's work on the right) and this is the opening. For those unawares, John Read is also the nutter behind the ever charming distorto dancy drum-machine fueled low-fi pop of The Wiggins. The shows are always fun but this one will give your eyes a treat as well as your ears. As if that wasn't enough awesomeness, Hearts of Animals (who counts The Wiggins as an influence by the way) returns from her sabbatical. I'm hoping she'll be playing some new songs from her upcoming CD on Artstorm records. Last but surely not least, the painfully talented and prolific Benjamin Wesley (Fucking Transmissions, Basses Leaded, etc. etc. etc.) opens. He's the fucker who is totally ruining the bell curve for the rest of us.


Friday, September 26

Fired For Walking (EP release) / Bright Men of Learning / Novox / Mr. Castillo
@ Rudyard's

Lookee there; it's the debut EP release from local rockers Fired For Walking who carry the torch for 90's indie rock. That would be a pretty cool thing in and of itself but the band has set up a pretty happily diverse bill. Bright Men Of Learning should pair lovely with that drink in your hand through a combination of Marshall Preddy's whiskey strained vocals and one of the sharpest bands out there. Openers Novox are worth an early arrival. Just the other day I was at Skerret Street and heard the strains of this epic wave of notes swelling from the second floor that beckoned me like sirens. Thankfully I wasn't called to my doom but to the Novox rehearsal space where Kyle Phillips greeted me with a "Hey, you need a beer?"

Sideshow Tramps / News on the March
@ Dan Electro's Guitar Bar
The Sideshow Tramps are a Houston intuition specializing in fun high-energy shows of old timey music that bubble with a vigorous sass. They had some equipment stolen as a result of Hurricane Ike looters but you can't keep a kick-ass band down. Opening will be the sparkling harmony and cello rich Indie County Pop of News On The March which will be just the musical hug you need after a hurricane.

Spiritualized/Grand Ole Party
@ The Meridian
Dude, I smoked a lot of dope to Spacemen 3 in university.

boy./listenlisten/Lenny Briscoe
@ The House of Booze
(901 Eleanor; BYOB; 8PM)
House Party Awesomeness!!!!

12 Annual Houston Grand Taiko Festival
@ Miller Outdoor Theatre (7PM)
(FRIDAY AND SATURDAY)

Big loud drums in the classic Japanese tradition plus that one skinny white dude who look like Elric. That dude is awesome!

Kristine Mills (in-store)
@ Cactus Music (6PM)
My Free St. Arnold's Beer sense is tingling!
Robert Ellis
Live on KTRU's Revelry Report (91.7fm)
Not sure which Robert Ellis this is as there are many on the web but hey it's something to tune into on your way home.

Saturday, September 27

DSB (Japan), PLF and World Burns To Death
@ The White Swan
Hardcore show folks. Hit that circle pit, throw your fist in the air, and sweat it up with Japan's DSB and the local Grindcore masters PLF who will be touring Europe for most of October and, BONUS, be featured in our October's issue.

Carolyn Wonderland / The Hightailers
@ Dan Electro's Guitar Bar

Man, remember when Carolyn Wonderland was ubiquitous in Houston? She's been camping out in Austin for a while now.

Poor Dumb Bastards
@ Rudyard's

I have two theories on Poor Dumb Bastards and Sarah Palin which is that they are either Palin's worst nightmare or she secretly pleasures herself to naked images of Byron cavorting in his sweaty Texas manliness.

Insecticide / Temple of Wrath / Last Rosary / Coya
@ Walter's on Washington

Metal Metal Metal! LA Thrash-tastic trio along with some bad-ass local metal will make all those hours you spent practicing your Dio devil sign in front of the mirror pay off. \m/

House Party With Rebel Crew
Joe B. / Suma / Illset / Swift / BMC / Karina / Kool B
@ Avant Garden
DJ's at Avant Garden. I think that speaks for itself.

Opie Hendrix and the Texas Tallboys / Reverend Peyton's Big Damn Band
@ The Continental Club
Get yr. Whiskey-drinkin' pedalsteel washboard hootenanny Americana on at the Continental.

Azrael's Bane (CD release)
@ F.B.I. Rock Club #1

If there is a CD release happens I mention it.


Sunday, September 28

The Calm Blue Sea / Caddywhompus / Come See My Dead Person
@ Notsuoh
Austin shoegazers Calm Blue Sea and the over-the-top high-energy gypsy romp of CSMDP should be quite the juxtaposition.

HBC National Disaster Relief Concert and Fundraiser, featuring Arride, Small Victory, Sun Machine, Darwins God, Osirus, Dine Alone, Bayou Monster, Spare Parts, Robin Kirby, Rhythm Circus, Dyslexic Crown, John Evans, & 71 Stars
@ Hard Rock Cafe (2PM-12AM)

Fundraiser. Err that's the Houston Band Coalition not the HBC Bank.


Monday, September 29

listenlisten/Cory Derden
@ Boondocks
If the houseparty wasn't enough of listenlisten's quiet folksy melancholy, then this should do the trick.

Tuesday, September 30
Cola Freaks/Secret Prostitutes/The Caprolites
@ The Mink
Hi we are Cola Freaks! We are from Denmark we play...how you do say ...high energy punky new wave. We thought Secret Prostitutes were hot when they were all Indonesian rockers. Now with Chris Ryan of Dead City Sound and Wulfie from No Talk they are even hotter. Caprolites once gave ADR shit. Denmark loves Skyline but it's funny to see ADR catch shit at times.


The Black Keys
@ The Meridian
Akron Ohio's favorite blues fired duo hits the Meridian! This should be a pretty freaking sweet show.

Mary Cutrufello
@ McGonigel's Mucky Duck
Man, remember when Mary Cutrufello was ubiquitous in Houston? She's been camping out in Austin for a while now. Deja vu!

Thursday, October 2

The Ooga Boogas/The Welfare Mothers/Gnaugahyde
@ Rudyard's

Australia has been very welcoming of Houston bands over the years and in return the've thrown some pretty awesome trashy garage our way - the Ooga Boogas are squarely in that tradition. Check out this nice - if annoyingly brief except - on YouTube (Link). Throw in the ever brilliant garage-eers Welfare Mothers and you've got the making for a pretty top-shelf evening!

Yip Yip/Pataphysics/B L A C K I E/TENSE
@ The Mink (7PM)

I have bad nightmares about Yip Yip and they kind of look like this video (Link). Also on this bill willbe the ubiquitous and always brilliant B L A C K I E who will demonstrate his awesome powers behind the mic and the always nifty TENSE will open.

Throwrag /Roger Miret & The Disasters / Static Thought / Viva Hate / Hell City Kings
@ Walter's on Washington

Kinda Garage kinda Rockabilly, California's Throw Rag should be a good match for the hell-raising Hell City Kings.

Monday, September 22, 2008

Music with Jameson & Lone Star: Hell City Kings & Slippin' Mickies 09/20/2008

Saturday night I texted one of my friends with the message "Off to Rudz - free show, cold beer, and AC." Well, two out of three folks. When I got there the doors were open and the patio was to capacity. It seems that Rudz power was indeed on but the storm had affected the juice in such a way that all but the AC could be turned on. That was pretty par for the course for local bars and small businesses across town. For example, Poison Girl supposedly had one night where the staff was battling a flaming generator one night last week. Thankfully, at Rudz, a huge box fan upstairs and a few minutes to acclimatize with a cold beer and you were gold - a little sweaty maybe but no worse for wear. Plus, like Mike Watt once told me, "This is rock and roll; it's all about sweat!" Amen grand poo bah!

Before I get into the review, let's talk US currency, bottle caps, and digestive system. I was asking Hell City King's Bill Fool about Born Liars and he mentioned how there was a show recently that ended up with bottles strewn everywhere from all the typical Born Liars insanity. During the show, someone threw him two dollar bills. One he tore up and ate. The other he ate whole. It turns out the US Mint isn't joking about the durability of its currency so in the end it came out as legible as it came in. This led to another similar story of Bill's high school friend who had a penchant for twisting off beer bottle caps with his teeth. Long story short, he swallowed one, and the cap came out (sans the rubber underneath and the printed graphics) in once piece, and the fellow now wears it as a necklace. Needless to say I didn't order any food at Rudz that night. Thanks Bill.

Openers Slippin' Mickies played well. The drums, bass, and guitar were all solid and just sloppy enough to be fun but something wasn't quite jellin'. Eventually, I concluded that the reason was the frontman. Mind you, the guy had a good rock voice and at times he'd be pretty charming on stage but it was what he'd do when he wasn't singing that was working against him. He'd sing a line then, clutching the mic tightly in his fist, swing his fist down to his waist, lower his head, and stand there bobbing his head to the music until the next line. Here is the deal - being the frontman is a tough job. It's as much performance as it is being able to sing; like it or not you are the center of attention. If you don't command the stage, it doesn't matter how well you can sing. Now in his defense, one friend of mine did say that the singer seemed off this evening. That may be true given everyone's issues with heat, clean-up, and day jobs. So I don't want to overstate the issue as the band did play well and their clever appropriation of Iron Maiden's The Trooper was likely the wittiest band member roll-call I'd ever seen.

Now, Hell City Kings' front man had no problems with taking on his duties as he stood there shirtless, tattooed, mustached, with short cropped thinning hair, and a presence that said "Goddamn, I am the prettiest motherfucker here!" Sergio Leone would have cast this dude in a heartbeat - the bad or the ugly but certainly not the good. That's the whole thing that made the show great. Here is this dude playing ugly to a hilt, slithering, oozing sweat, and generally goading the audience until, by the end, that infamous Rudyard's five foot gap is filled with fists and bodies screaming back. It's straight-up drunken I- don't- give- a- fuck, tattooed rock and roll. Ask me about the chord changes. Ask me about the nuances. Ask me about the lyrical content. I haven't a fucking clue. They just play it like Ike tearing across Houston and yr not worried about what it all means while it's happening. All I know is that the rhythm section was tight and brutal, the singer challenged the audience at every turn to embrace the sweat of the music, and the guitarists rolled through every rock and roll cliche (dual guitar leads, walk through the audience during a solo, guitar pose-o-rama, etc.) and despite all the posturing it wasn't corny, it was fun. Will Hell City Kings change rock and roll history? No, but it was a party. A very fucking hot and sweaty party of tattooed ugly mother fuckers with the rest of us shouting back "We're ugly and sweaty too!" and that is all that matters. In other words, they were the rock and roll sweat Mr. Watt had mentioned to me years ago.



Rundyard's Staff enjoying
the post Ike Air Conditioning!
Oh, do I Rock now?
Yr shaking your head; is that a yes or a no?
Because, if you want me to rock now, I can do it.

Woo look at me, I'm rocking now.

Yes you are my friend.
Yes, you are!

I feel pretty,
Oh, so pretty,
I feel pretty and witty and bright!
And I pity
Any girl who isn't me tonight.
*

The Enterprise is under attack!!!!

Oh, no I did NOT need to see that!


OK people! I'm not gonna say it again.
Do not make the Dio devil sign at my crotch.

Jeeeeeeeeez people!
What did I JUST say?!!!!


We sentence you to death by rock!


Links:
More pictures on myflickr (link)

Hell City Kings on myspace (link)
Slippin' Mickies on myspace (link)


*I Feel Pretty - Lyrics Stephen Sondheim - West Side Story (1956) .

Friday, September 19, 2008

The Music Crumudgeon's preview for the Week of September 19th 2008

This Week's Spotlight Is On
The City Of Houston #1 Teen Hit - Curfew!!


Just when the hot weather hits and people are sick and tired of being without power for a week, here comes the weekend with a promise of a respite of friends, music, and booze. Bartenders and local bar owners stand to make a much needed killing from cooped up adults who just need a break from the last week. At times like this it's good to remember the words of the great American Founding Father Benjamin Franklin who wrote "Beer is living proof that God loves us and wants to see us happy."

Unfortunately this boost to one segment of the economy and our spirits ain't happening. Yes that's correct your 1st amendment right to peaceably assemble has been revoked again - curfew has been extended to Monday. So, simply put - you are fucked!

If any good can come of this, it's to see the fucking stupidity of the weekend teen curfew. Yes that's right, nothing will make you feel more like a teenager than being kept indoors for your own good and this weekend you too can feel years younger and bask in the wild and free teen lifestyle. Stay home play your Wii, watch a movie, read a book, and in effect cut yourself off from society for six hours. Damn, that sounds exciting doesn't it? Well, this is what kids in Houston have to deal with every weekend so enjoy.

Post-Hurricane Curfew details for Houston and surrounding area from the Houston Chronicle (LINK)

Thursday, September 18, 2008

Music with Jameson & Lone Star: Jana Hunter & Lesser gonzales at the Petrol Station 09/17/2008

Jana Hunter’s show was one that almost didn’t happen. Diverse Works could no longer host the show after Hurricane Ike but a mad dash search for alternate venues by scrappy individuals eventually turned up The Petrol Station just north of 610 on Wakefield. Mind you, I didn’t exactly get the most welcome reception from the Petrol’s neighbors. Some crabby old dude yelling at you for parking in front of his house is a bit unsettling given the events this week. Exasperated, I finally just told the dude to do me a favor and chill – it’s been a rough week for everybody. This led to him shouting something about us “punks” like this was some 50’s rock and roll B-movie starring Bill Haley and Chuck Berry with the outraged neighbor shouting “You punks and your rock and roll music! Parking in front of my house! What is this country coming to?!” except that instead of Brando or Dean you got me and Chris Gray. Whatevs.

Inside though was a much better scene…hell, it was a good showing of the Indie scene. Sharks & Sailors, Bring Back The Guns, Young Mammals, Wols, Wicked Poseur, Wild Moccasins, and Bright Men of Learning, to name a few bands all had members representing and the usual scene peeps all came out to welcome back Jana, see how everyone else was doing, and just enjoy the evening. The Petrol Station itself was a very nice little bar with a nice bartender, a decent selection of beers, and one of the regular patrons, Mike, was showing off his MRE to everybody. Of the scene peeps, a few people fared worse than others but generally the news was the same from everybody – no power, no power, and no power – and you can tell that everyone is more than ready for normalcy.

Perhaps that’s why this show was so necessary – we all needed a break. Lesser Gonzales even started his set saying “So I hear you guys are a bit bored.” His set was a sweet solo set of quiet introspective folk with some lovely chord changes and a soft spoken phrasing that accompanied the night air perfectly. Jana followed with a full band and apologized to the audience for Wicked Poseur being bumped from the line-up due to time constraints and for the band’s volume; “We’re usually much louder than this.” She then led the band through an abbreviated set of her songs with the casual intimacy of performing for friends in their living room which was not too far from the truth. The band played beautifully and at one point the band was improvising into a cascade of loops and what sounded like a train whistle perfectly in key off in the distance but that seemed improbable. Yet, when the band stopped and Jana segued into a song, that train whistle - clear as day - joined along perfectly. One person amused by it all shouted “Whooo!”, Jana smiled, and the band joined in. That was the moment that captured the evening where even the trains were singing and glad to hear Jana back in town; somehow that told us all that it was going to be all right. Thanks Jana of not giving up on the show. We all needed that more than you’ll ever know.

(Here are a few pictures. Flash felt intrusive so I refrained from my usual hundred plus shots that I then whittle down to few good ones. Still hey it’s something. )



Lesser Gonzales kicks the evening off nicely.Dead City Sound's Chris Ryan with
Petrol Station regular Mike and his MRE.
Jana Hunter in summer hurricane casual.
The show was short, sweet and just
what we and the trains needed.



More pics on my flickr (link)

Wednesday, September 17, 2008

Music with Jameson & Lone Star: The Storm before Ike - Dissent, PLF, and Gorenado at the White Swan 09/10/08

Well, here it is Monday and Hurricane Ike has pretty much thrown Houston and the surrounding areas into utter lameness and my favorite island is decimated by the sounds of the radio reports. My best hopes and wishes to those who suffered any losses in the storm. I’m exiled in Sugarland and we have no electricity and that means no fridge, no internet, and everything else you can think of. Houston is under curfew meaning Ike has effectively killed the scene this week. No booze, no music, and, hell, even my band’s rehearsal is down for the count. I’m gonna guess that by now, as we wait for power to come back on line and food & gas supplies to get back up to speed, everyone in the city of Montrose is pretty much freaking bored out of the their skulls.

A week ago boredom was hardly the case as I went down to the White Swan for a relaxing evening for metal/grindcore. Normally, I’d do a longer review but things being what they are (and my laptops battery is waning) I’ll keep this one brief and let the pictures do most of my talking. Let me make a few points though about the Gulf Coast Hardcore scene. First, one friend of mine asked during the last Hootenanny “Where are the kids?” Well the Riff Tiff’s show answered half of that question and this one answered the second half – they are skanking around a circle pit to some of the most brutal and uncompromising music around. Another writer asked me a question along the lines of where Rock lost its grit. I told him go to the White Swan on the 10th and you’ll find plenty of grit. Somehow he dismissed it as being too much of a subgenre to count towards his question but that’s typical of the media reaction to grindcore and metal. The fans are considered mindless and the music nothing more than a macho affectation. The irony being that the bands and their music are some of the smartest and sharpest shit out there and the fans are (surprise surprise) actually painfully good natured and courteous. That’s not to say you won’t get an elbow in your side during a set but unlike the five or so fuckheads at “We Are the Hollow Men” who were out to hurt people this was pretty much a well mannered circle pit. My favorite moment was during Dissent’s set when one kid, in early Woody Allen mode, shouted “Hey! Hey! Quit it! Just pushing! None of that!” after getting konked. That drew some laughs but, for all the poseur jokes, the person complaining was taken in stride. And, by the way, it’s not a sausage fest either but there was a fair showing of women at the show. All in all, it’s a pretty accepting scene of the classic Rock and Roll freaks, geeks, and losers who do what they love despite being virtually ignored by other scenes, media, and networks outside their own. It’s DIY at it’s sweatiest, smartest, and savviest. If anyone is carrying the punk rock flame, it’s these cats.

But enough rambling - the bands in Cliff’s Notes. Gorenado opened up and, being their first show, it was pretty good. Solid rhythm section and guitar but it still came off as “this is our first show and it’s still jellin’.” Nevertheless, a good way to start the evening. Now when PLF (Pretty Little Flower) started - night and day. Everything became louder, faster, and uglier and the audience rushed to the stage with their fists pounding to the blast beats and the cookie monster vocals. Picture a machine gun shredding you to pieces for 25 minutes and that about captures the charm of PLF. Dissent took things a bit slower and a bit more metal but to no less effect. What they may not have had in speed they, made up with brutal low end crushing of guitars that drove everyone into a frenzy of screaming, circle pits, and sweat. If you want metal that makes you ears bleed – this is your band.

OK apologies for the brief nature of this review but I have 5 minutes of battery left. Good luck all you FPH readers.



Gorenado begins the crushing evening.

Tom of Dissent pondering the philosophical

implications of (PLF) Matt's bass-line.
G is for grindcore, it's good enough for me!
Faster!
G is for grindcore, it's good enough for me!

Sometimes you get bruised...

...other times you do the bruising...

...and sometimes the music does the bruising.
Such is the way of PLF.

Evacuate all poseurs, Dissent's set has begun!

Here we go round the mulberry bush,
the mulberry bush , the mulberry bush

Tom takes a break because Dissent crushes it's own.

Listen closely and you can hear the denizens of
metal/grincore converse in their native tongue.
"UGHHHHHHHHHHHHH!!!"
"AAAAAAAAARGGGGG!"


ALL HAIL DISSENT
WHO HATH KICKED MY ASS SO MIGHTILY!


Link:
More pictures on my Flickr (Link)

PLF myspace (Link)
Dissent on Mysapce (Link)

Friday, September 12, 2008

The Music Crumudgeon's preview for the Week of September 12th

THIS WEEK'S SPOTLIGHT
IKE is killing the scene!!!!!


Shows are canceling left and right so a preview is pretty useless this week. We hope that all of our Free Press Friends and their loved ones are safely hunkered down and/or evacuated.

You guys stay safe out there. We want to see you out there with us next week at some bar drinking beer and whiskey to some good music. OK? OK!

Wednesday, September 10, 2008

Take Five - with The Delta Spirit

Photograph by Matt Wignall
The Delta Spirit's album Tomorrow Goes Away is lovely collection of sharp melodic pop with tips of the hat to Country, Folk, and Indie Rock under the umbrella of a crisp and clean production that lets the unfettered interplay of the band members shine through. In short it's a hoot. The album - recorded in a cabin - hops from danceable romps (Trashcan) to somber hungover sadness (House built For Two) to sloppy garagey stumbles (Parade) with a joyous grace and confidence. If you like hummable melodies, droll arrangements, and solid live performances their show tomorrow night at Walter's On Washington with Dr. Dog and Seth Kaufman is likely one you do not want to miss.

Lucky for us we got a hold of producer turned full time band member Kelly Winrich who was good enough to play five questions with us.

1) Ode To Sunshine was produced/engineered in a cabin but the production is really sharp and at times even lush. I suspect the cabin wasn't on par with what Abe Lincoln grew up in so what was the cabin/studio like? What equipment did you bring in and how was the recording approached?

First and foremost, and probably the most important characteristic of the cabin, was that it was almost entirely unfurnished. It was half forest-green carpet, half oak wood floors. There was a freshly tuned upright piano waiting for us there, compliments of the Derek Shaw (the owner). There were glass windows or doors that allowed you too see into to each room. It was almost like it was built to be a studio. We still set up all in one room, to capture a live sound. Everyone was facing each other, and had a personal monitor speaker (no headphones). Most songs were recorded this way, save a few vocal/percussion overdubs. As far as the "lush" production is concerned, there were a few songs that we recorded in a traditional way (i.e. drums separately, layering, etc.). Ultimately, we catered to the song...if it didn't feel full enough, we adjusted to make it feel right. For the most part, we got lucky, and stuck to first takes.

2) Trashcan is a great pop song - a get off your feet and dance kind of song - but the rest of the album is a bit less light which makes Trashcan kind of stick out to the point where it took me some time to get past that song and get into the rest of the album (which I think is great). I'm just kind of curious about how you approach what goes on an album, what gets left off, and tracking. In effect what is your approach to editing and flow? Also is there any thematic thread in all the lyrics that you find yourself returning to?

There might be a reason that trashcan sticks out from the rest. It evolved from jam that only included myself on bass, Matt on piano, and a friend/non-band member Al Kweskin on drums. So the fact that it was only a partial group of the band may have been the reason the song was created in such a lighter mood. And if anything, the only reason certain songs were left off the album, was because of a lyrical or production inconsistency. And then some just downright didn't fit. We definitely took some time deciding the order and flow of the record. We arranged the track-list in a way that felt natural, from tempo, to key, to space between songs. And to answer the last question, lyrical themes are not as important to us as the individual song lyrics themselves, though since Matt writes the majority of the lyrics, that might be a theme in itself.

3) The album has some nice contrasts in approach like The Strange Vine evokes a Roy Orbison lushness whereas Parade sounds like some dirty drunken garage band sloppiness (particularly the guitar phrasing). I'm kind of curious how the songs evolved from composition to recording in terms of tone and arrangements.

That's what we were going for. We knew what we didn't like, and everything else was up for grabs. And when we started recording, some songs came easy and some songs needed last minute work. It all came down to the take. Parade, in particular, was the last song written for the record, so that may account for it's raw production and sound.

4) You guys have a pretty solid rep for lively performances. How do you approach the road, particularly the challenge of performing the same songs night after night and still keep it fresh?

Matt puts it best when he says "We try our best to really think about the song when we're performing" And that usually pertains to the lyrics and dynamics. I would say we play every song different each night, whether we mean to or not, and that keeps it fresh.

5) The new album wasn't recorded for Rounder but is being re-issued by Rounder. How did you go from unsigned band* to suddenly scoring a deal with Rounder and how has it changed how your fans view you?

We approached a possible record deal with caution. We're all about moving forward, and we weren't interested in letting a label set us back. But when we decided to sign to Rounder we were all confident in the people that were behind the label, not dollar signs or some flashy artist roster. And if fans are turned off by our decision to sign to Rounder, then maybe they're interested in the music for the wrong reason.
Links:
The Delta Spirit on Myspace (Link)
The Delta Spirit (Link)
Rounder Records (Link)
* Note that the band did release an EP on Monarchy Music before this album.

Take Five - with T.K. Webb

Photo by Andrew Frasz

T.K. Webb and the Vision' new album Ancestor on Kemado records (think Austin's the Sword) is chock full of Rock with a capitol R. It's big guitars, Webb's whiskey soaked delivery, and an interplay and songwriting ranging from the heavy to the more mellow and trippy that will make you wonder just what you did with that elaborate bong you bought back in university.

Given that T.K. Webb and the Visions will be playing Thursday (September 11th) at Rudyard's with Sweeden's Heavy Rock masters Witchcraft and Graveyard we figured we'd ask him a few questions. Thankfully, Webb was kind enough to answer our questions - well, all but the one that was probably lame anyhow - but I guess question four was technically two questions so we'll count that as a win. He's a busy man, after all, and there is rock to attend to.

1) Ancestor is a big change from your prior solo albums. On the new album with the Visions there is a greater emphasis on texture and multi-tracking. How has the increases in studio intricacy affected your approach to the guitar, your singing, and songwriting?

This wasn't the first time I had been involved in playing and recording with a rock band. I feel more like we affect the sound in the studio than the other way around - like were the chef and the studio is the waiter.


2)How did working with a band affect your approach to songwriting and what do the players bring to your work?

The songs were written then brought to the band and arranged as a group. the approach is different in the way that the songs all still start as acoustic guitar songs, but now when they're brought to the band it allows a much broader range of possibilities for the final product.


3) What predicated the move to put together The Visions? Was it the move to Kemado Records who has fellow rock heavies like Austin's The Sword, was it just something you'd been moving towards, or something else?

This incarnation of the band is basically what predicated the evolution of the sound.


4-5) "Teen is Still Shaking" opens the album and it's a phenomenal song but the lyrics are somewhat obtuse. What is that song about and how do you approach lyrics in a song?

Teen is Still Shaking is about wondering if you're going to amount to shit and at the same time still having the heart to tell someone else they're not going to amount to shit. Writing the lyrics is just one foot in front of the other with a pen in my ass.

Links:

T.K. Webb on Mysapce (
Link)
T.K. Webb and The Visions website with stream of new album (
Link)
Kemado records (
Link)

Tuesday, September 9, 2008

PSA # 325

Music writers suck. We all know it. They are squirrely little rats that run around at shows spreading a plague of uncool in their wake. Well, thanks to this picture from Indie Houston's new Flickr page (link), we can help you identify five characteristics of this scourge so that you can avoid catching the uncool.
(a) Zone of Uncool: Item (a) shows the area outside this zone. Much like a radioactive matter, writers are anathema to anything cool and therefore are bounded by an area of a few feet that protects other concert goers.

(b) Slouching and poor posture: either the result of time spent in front of a computer or mastering ducking dodgeballs.

(c) Sunburned: from goofing the day in Galveston instead of working on that PLF piece that Omar is expecting for the next issue.

(d) Girly Satchel: Likely filled with novels, CDs, a composition book, a crappy broken point-and-shoot, a flash drive, pens...well you get the idea - basically not worth mugging.

(e) Poor Fashion Sense: Ill fitting and worn out clothes are a staple of music writers. Ironically they also watch Project Runway and What Not To Wear.
Remember, if you spot one of these, don't panic. Simply ignore them as engaging them in any manner will result in endless pratter about the Wild Moccasins, Buxton, Hearts of Animals, Papermoons, or the awesomeness of Ronnie James Dio.