Friday, July 11, 2008

The Music Crumudgeon's preview for the Week of June 11th 2008 - Special John Lomax "Our Scene Sucks" Edition

THIS WEEK'S SPOTLIGHT IS ON
THE YOUNG MAMMALS AND THE PAPERMOONS



Friday, July 11
Papermoons
(record release & tour kickoff) / Phillip Foshee / B. / The
Sour Notes
@ The Backroom (The Mink)


Here is a show I wish I could attend but such is fate. The 'Moons are relocating and this will be their last Houston show in the foreseeable future. That's disappointing because they only just got started. The 'Moons have become one of Houston's best bands and if you haven't heard their newest album I highly suggest you do so. The album is a perfect mix of nuanced instrumentation, gorgeous vocal harmonies, and songs whose melodies will follow your every footstep. Right now, you can preview two songs on their Myspace - Follow the Sun and Front Porch. Do me a favor and just take a listen. The songs don't rush in painting their canvases but patiently build with a palate of chiming guitars and restrained drumming. Then, when the harmonies kick in, the production just envelops you with that same feeling you get in the winter night when it's cold outside, you come into a warm house with a fire, and sit on the sofa with a blanket with the one you love. The songs are at once open with hope yet hesitant of stepping forward in a world that moves a little slower. That's a lovely tension that is pretty hard to pull-off but the 'Moons are a band with the skill, talent, a heart do it and do so in spades.

Saturday July 12
Creature Comforts Art Opening
Featuring Young Mammals, News On the March, Wicked Poseur, Hard Place @
Artstorm / Caroline Collective (7:00PM)

Sunday July 13
Young Mammals, Wicked Poseur, Hard Place @ The Mink


The Young Mammals are and have been kings of the Indie Pop mountain for a few years now. Their energetic shows and catchy songs have been the summer soundtrack to many a young Houstonian and leading the charge has been drummer Iram Guerrero. I tell you this, your band is defined by your drummer. That person who sits behind the kit may be overlooked by many but any musician will tell you that the drummer is the heart of it all. That's why Iram's departure from Houston is such a huge deal. Not only does he play a powerful and distinct style but if you've ever seen their live shows - he is one of the most memorable performers out there. There may be many great drummers out there but few can upstage the band. Iram performance evokes the playfulness of Han Bennink - a performance that plays with a humor and wide-eyed joy of the instrument. That kind of mugging is so honest and so real that you can't help but be drawn into the music and the performance. Normally, I'd go into the greatness of Wicked Poseur and how good News on the March are but this is really Iram's weekend (though you will have one last chance though at the Houston Press Music Awards). I suggest you demand encores and do not allow him to leave the stage until he has completely collapsed. GO!

ALSO THIS WEEK
(NOTE: TONIGHT I WILL BE ADDING SATURDAY THROUGH THURSDAY. SO CHECK BACK WITH US TOMORROW MORNING FOR THE REST OF THE PREVIEW.)

Friday, July 11

Deceased/PLF/Hypo-Christians/Termination Force
@ Jet Lounge (8:30, $10)
It's funny that the two shows that I rank highest on the must see list tonight come from opposite ends of the spectrum. While Papermoons work with understatement and subtlety this show is the polar opposite - a Yin Yang that shows why John Lomax (whom I love - honestly, he really is a great guy and all but he) is so full of shit when he keeps whacking-off on his self-fulfilling prophecy of how lame the local scene is; I say it therefore it is true so take that, hipsters! Whatever! John, mon ami, here is my prescription - here is what you need. Get the fuck away from that bleeding desk and go to the Jet Lounge tonight. That's right, don't just talk about the scene sucking, actually go a show that will envelop you in sweat and noise from a genre you by and large pretend doesn't exist. Here are three bands completely off your radar: PLF's brutal and precise instrumentation is crushing, Hypo-Christians inject some much appreciated humor into the proceedings, and Termination Force are simply apes!

Oh yeah, and a touring band is playing here too. You know one of those that never come to Houston. Which brings up what you don't get and I think Rosa Guerrero has figured out. You see, you keep jacking off on how the national scene doesn't come to us. Here is the scene she points to - Gulf Coast Hardcore. Her point is simple and you being so much into rap should have fucking figured it out by now. The answer doesn't lie in measuring a scene by how the nationals react but in a fierce regionalism. Dirty South and Gulf Coast Hard Core - that's the freaking model. Let the rest of the world catch up! You think anyone gives a flying fuck about the Arctic Monkeys now? No, but that's what you were creaming over a few years back. You measure of success is based on popularity and sales and not the music. Fuck that! You can keep those bands like Arctic Monkeys and Vampire Weekend - their rise is only matched by how quickly their spotlight fades. PLF will make those sissy Brits you loved so much cry all the way back to the UK but have you ever give them praise? No, fuck no! Why? Because you (and I say again you are a cool guy and I love you to death) are always looking elsewhere to what's cool and interesting and you have this thing about "hipsters" which as the guitarist in my band once put it so precisely "Oh, Hipsters? Yeah, I know those - you mean Kids!" Amen! And the Kids are Alright!

Bob Log III / Scott Biram / Possessed By Paul James
@ Rudyard's
Oh wow check it out a cool touring show! You know, the kind that never come to Houston? He's a one man band who's performance is...well...just look at the picture!!! It's sounds like umm... OK, imagine The Medicine Show as one guy playing with a huge helmet. I've heard his shows get nutters and are a huge amount of fun! The music is surely a hoot. Give a little listen over on the myspace and see for yourself. This show is also a must-see if you can get your Tardis to actually work for once.

In the Land of Archers
@ Notsuoh
Attention fans of Experimental [you know, that genre so utterly and completely misunderstood by the Houston Press even though Houston has long been regarded as fertile soil]!! Here is where you should be tonight!

Floyd's Birthday Bash, featuring
30footFALL, Morgue City, The Blind Pets, Ne Plus Ultra, & Burn The Boats
@ The Meridian
1-2-1-2-1-2! Poppy punk Fuck You We're From Texas granddaddies 30 Foot Fall lead the festivities at the Meridian.

Dine Alone (CD release), The Burning Ground (CD release, Four Men Walking, Feeding James
@ Fitzgerald's
Buzz radio is not my thing - not in the least. I simply abhor the genre, how it's marketed, how it's produced, and well...you get the idea but I figure a CD release is a CD release and it deserves a mention. So if you can stand the Buzz and want to see a local band do that kind of thing, have at it!

Saturday, July 12

The McKenzies/Audio in the Pregap/Ledaswan
@ The Mink

The Mckenzies have a Korg and they are not afraid to use it!! If the Dimes left you jonesin' for some more indie-pop then the McKenzies may be just the fix you need for the rest of the evening.

"I Love You From the Neck Up" Art Opening
with work by Lance McMahan, Jim Pirtle, & others

with
Free Radicals, The Brute Wolf, & Palit
@ Notsuoh

Well I'll be damned if I can find much info on this but it does have Free Radicals and that is pretty cool if you like your improv-jazz funky.

Yuppie Pricks / Young Heart Attack
@ Rudyard's

Yuppie pricks are shtick-rock that asks the question "How would a bunch of annoying spoiled rich wanks sound if they decided to make music?" Oh yeah that's right - Vampire Weekend. OK OK forget that explanation. Basically picture tongue-in-cheek punk rock that sing songs like "Fuck You I'm Rich"- that's much funnier and fun than those over-hyped tools that nobody will remember by next year's SXSW.

Earth, Wind & Fire
@ Verizon Wireless Theater
Yeah yeah you've heard the songs a million times but c'mon at least fess up - September is one of those happy happy joy joy songs that few can resist.


Sunday, July 13


Alkari / Ellypsea / Via Linda / The Gold Sounds / Thea
@ Warehouse Live
Woo Hoo! Deer Park's Gold Sounds! These guys are amazing and rip some sweet songs. Nuff said! Swing on down and see what the kids down south on I-45 are doing right!


Monday, July 14


The Cheat / Guitars
@ Boondocks
Q. What do you get when you take one part Alarma (bad-ass bassist April) and one part Lennie Briscoe (bad-ass drummer JD)? A. A hella lotta of posts on Hands Up Houston! I kid of course, they both rock and what you'd really get is a band called Guitars. Should be fun.


Tuesday, July 15

Sleepercar / Buxton / Giant Princess
@ The Mink

Well shit! It's about time Buxton returned to a Houston stage!! These guys are simply incredible live performers and their debut album was simply a wonder of heartfelt Americana. Joseph Collins alone was a song that I just just kept listening to over and over again all the while picking apart the arrangement, structure, production, lyrics, and just about anything else. The rest of the album also is just as worthy of being obsessed over with its sweet melodies a broad palate of instrumentation. Live, the band may not have the lush qualities of the album but they make up for it with a hard driving and emotional performance that will grab you by the collar and drag you in. Sergio Trevino's vocals may catch your attention but pay attention to Guitarist Jason Willis' droll guitar work and you will walk away envious.


Wednesday, July 16

The Warlocks / The Vandelles / The Monocles
@ Walter's on Washington
Psychedelic rock from LA and MONOCLES!! MONOCLES!! MONOCLES!!


Thursday, July 17


Recession Thursdays, featuring
Riff Tiffs, Lisa's Sons, Pale, The Takes, & Ceeplus Bad Knives
@ Numbers
YUP Another Omar Afra extravaganza!!! More deets on Thursday!






Thursday, July 10, 2008

Pics from Willie's Picnic

* 1346 - arrived at concert. Asleep at the Wheel playing "Boogie Back to Texas".
* 1424 - Asleep at the Wheel finishing up. Wind kicks up as the storm blows in.
* 1425 - Stagehands scramble from unseen places under the stage to cover equipment.
* 1426 - In a strange matchup, man races cowboy hat blowing down the track. The hat wins.
* 1432 - Rain and wind.
* 1434 - A couple with a small baby is brought to the media tent for shelter from the storm. Baby is subject of bored photographers' cameras for the next 6 minutes. The parents look pissed.
* 1527 - Rain finally stops. Ray Wylie Hubbard opens with "Snake Farm".
* 1600 - First tittie flash of the evening.
* 2100 (circa) - Willie makes his first appearance. Does anyone else smell a skunk?
* 2152 - Crowd simultaneously puts their arms around each other as Willie plays "Always on My Mind".
photos by Bruce Wiggins

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Tonight's Recession Thursday!! Studemont Project, Wicked Poseur, Wolves at the Door, & Trusty Tape Recorder!!

Well, I had hoped that a guest blogger was going to hype this show but that fell through leaving me no time to properly post a preview of this show. Mercifully our fearless leader Omar Afra (who also puts these together I might add) was good enough to help me out by writing this preview. Here is his preview! Now Get out there! (PS. Thanks Bro!)

Join us at tonight Numbers for another clutch-time extravaganza that is Recession Thursdays
-Dollar Beers
-Just 5 bux at the door
-Free smacks in the face (Limit 10 per person)
-Door at 9-ish

-and these great bands

Studemont Project has been serving up the homegrown style of live band hip-hop around these parts for years. Their sound has steadily evolved and tightened into a more organic direction with additions of guitar player Tom of the Ton Tons and bass player David. They have plugged their sounds with loads more melody and abrupt changes that a band format can only deliver in a hip-hop context. Emcees Christian and Gilbert work together seam-lessy and are one of the best rhyming pairs in the city. Always a good show. ( As I was writing this, a copy of their new album, Warmth of the Midnight Sun, was delivered by FedEx to our office. Expect a review in the publication)


Wicked Poseur scores an impressive 36 on the one to ten clutch-meter. Deftly combining Billy Idol-esque Brit pop with quasi garage sensibilities, these folks are no doubt a great live band. Last time me saw them, I was nothing short of impressed.


Wolves at the Door is an experimental indie jam band that spends lots of time building crescendos into pretty little ditties. Their songs tend to bounce from songwriting to jamming with the inclusion of horns and healthy masturbation. Remember, masturbation is always healthy.


Trusty Tape Recorder makes like psychedelic noisy electronic experimental stylings like you mother used to. Lots of low-fi guitar and shakers round out the sound to remind you that TTR can go in other directions.

Tuesday, July 8, 2008

Exodus: Movement of Jah People!

Is it me or is this a year of exodus for great musicians from Houston? Earlier Danny Mee of the Jonx moved to Austin and Jenny Westbury also announced her imminent departure to Seattle. Now word comes down the line of a continued talent drain.

First Iram Guerrero of Young Mammals (aka The Dimes) is down to his last three shows before he leaves Houston. That's a huge blow given that he's one of the premier drummers in Houston and a defining part of the band's sound. Then, Papermoons announced that after their upcoming tour, they too will also be leaving Houston. Oh wait, but it gets worse because Sabra Laval has also announced her departure from Houston. Man, that's a rough year and we're just past the halfway mark.

So, just so you know, here may be the last few times for you to see these artists in the near future as they will be seen a lot less frequently 'round these parts.


Papermoons

Friday July 11
CD Release/Tour Kick-off w/ B./The Sour Notes /Phillip Forshee
@ The Backroom (behind the Mink)

Young Mammals


Saturday July 12
W/ Wicked Poseur, News On The March& Hard Place
@ Artstorm/Caroline Collective

Sunday July 13
W/ Hard Place & Wicked Poseur!!!
@ The Backroom (behind the Mink)

Sunday July 27
The Houston Press Music Awards

Sabra Laval

Monday July 28
w/ Warren Jackson Hearne & Admiral David
@ Notsuoh

The Jonx

Friday August 1
w/ Sharks and Sailors (CD Release Party) & UME
@ Walters

Monday, July 7, 2008

Music with Jameson & Lone Star: Artstorm Jeremy Jay @ Artstorm and 500 Megatons of Boogie, The Jonx, and Together we Are Instruments at Rudyards

Well, by now you already know that the whole Keene St. Party imploded between my Friday preview and Saturday. It went from full steam ahead to dead to an unexpected resurrection at Notsuh. Refunds went from none to some to all. Bands and DJs dropped like flies but in the end five bands held-on and, by the looks of it, the smaller scale version at Notsuoh seems to have been (albeit under much humbler goals) a success. Jeremy Hart at Space City Rock did a nice job of reviewing the whole thing (link). Me? Well, trying to figure out what was going on eventually wore me out - Keene Street burn-out. So, I decided to roll through two shows of a little lower profile.

The first was a pass by Caroline Collective where Artist Patrick Turk's exhibit was coming to a close with K records' Jeremy Jay. It was a pretty low-key affair with Jeremy Jay playing his poppy songs on a small stage on a hot and humid Houston night. It was pleasant and I preferred the more jangly numbers but the audience seemed to sway more towards the songs powered by the more vintage Korg sounds. Sure the crowd wasn't what you'd call a throng but have you ever had one of those crowds where it seems every time you turn your head you find yourself wrapped in a conversation? Yeah, this was one of those crowds - a good peeps crowd - and that's always a pleasant enough way to start an evening.

From there it was off to Rudyard's. I was pretty interested in seeing Together We Are Instruments and they delivered the electronics and textures. The only issue I had was the vocals which were somewhat distracting from what was going on underneath. This was their first time with vocals so I'll let that go. Their strength lay in the electronically generated textures and the ability of the players to feed off each other's improvisations to build into an engaging whole. It's classic Houston Noise/Experimental - the kind of stuff that Super Happy Fun Land hosted often. That's not everyone's bag of tea but their use of beats under the textures was particularly nicely done. All in all pretty nice stuff and worth showing up early for.

The Jonx followed with another standard Jonx-style ass kicking. I mean that seriously even though I've likely said similar things a million times. I was telling Stuart how, after writing about them for so long, I honestly just don't know what else to add. I mean here you have this amazing drummer, a brutal bassist, and an unstoppable guitarist who dodge and parry their way past most bands with their math rock meets punk rock hybrid. The thing that sets them apart is that they take that and combine it with some great guitar and bass lines that you find yourself humming almost immediately. It's not just aimless chord and time changes but honest to goodness hooky songs that I put up with anything out there nationally or internationally. The show Saturday was more of the same - punch drunk hooks cleverly interspersed with sonic blasts of dissonance. If you missed them, see them on August first with Ume and Sharks & Sailors and then try to tell me you aren't impressed.

The evening closed with 500 Megatons of Boogie whose name was a constant source of amusement for some friends ("That was only 100 megatons! You owe us 400!!!") Now, I have to say that I mixed myself up on Thursday's preview and wrote what in effect was a preview for the Squishees and not 500 Megatons of Boogie. Why the error? Ok look it was late true but basically 500 Megatons is an offshoot of the Squishees but with a different drummer. 500 Megatons eschews the crazy time signatures for more straight-up (if not necessarily less histrionic) rock and roll. So, that cleared up, let me just say that Saturday's show was a riot. Guitarist and singer Eriq Fancypants is one mean guitarist and he moves on the stage and grimaces like someone who stuck something electrical and unpleasant in his ass. The band may take its rockin' seriously (consider the heaviness of It Gets Me Blue) but they clearly are just goofy geeks who are just out to have a blast. And Jesus come on down and make with the wine but they ripped a kick-ass version of James Brown's It's a Man's Man's Man's World. Hallelujah! Now if they could only play that in Fortran!

Jeremy Jay popping it up at Caroline CollectiveThe event was the closing for Patrick Turk's
art exhibit
(that's his sparkly daughter)

Together We Are Instruments - I'd recommend pairing them
with a good wheat beer and spinach quesadillas.


The Jonx ripping through their punishing
12-minute epic Scent of the Earth at Rudyard's


500 Megatons of Boogie gave us 501 Megatons of Boogie
especially when they covered James Brown


Links:
More images at my Flickr (link)

Caroline Collective

Jeremy Jay
Together We Are Instruments
The Jonx
500 Megatons of Boogie